Passing Diminished 7th chord
The following pieces on this website contain passing diminished seventh chords.
Pieces that are not in the Public Domain are marked NON-PD and may not have a score.
| PERIOD/PAGE | COMPOSER | COMPOSER CATEGORY | COMPOSITION | ANALYTIC TOPICS |
|---|---|---|---|---|
| Jazz, Pop, and Film Music | Churchill, Frank and Morley, Larry | American, Male | “Some Day My Prince Will Come” (1937) – NON-PD | (descending) passing diminished 7th chord, secondary dominants (deceptive resolution) |
| Jazz, Pop, and Film Music | Strayhorn, Billy | American | “Take the A Train” (1939) – NON-PD | secondary dominants, passing diminished 7th |
| Jazz, Pop, and Film Music | Harline, Leigh and Washington, Ned | American | “When You Wish Upon a Star” from the Disney movie Pinocchio (1939) – NON-PD | 32-bar song form, Mixture, altered dominants, passing diminished 7th |
| Jazz, Pop, and Film Music | Porter, Cole | American, Male | “Night and Day” (1932) – NON-PD | 32-bar song form, Mixture, Aug 6, Descending bass line |
| Jazz, Pop, and Film Music | Gross, Walter and Lawrence, Jack | American | “Tenderly” (1946) – NON-PD | Backdoor progression, passing diminished 7th |
| Jazz, Pop, and Film Music | Kern, Joseph and Oscar Hammerstein II | American | “All the Things You Are” from the musical Very Warm for May (1939) – NON-PD | Circle of 5ths progression, altered dominant, ii-V-I progression, descending passing diminished 7th |
| Jazz, Pop, and Film Music | Lerner, Alan Jay and Lowe, Frederick | American | “Almost Like Being in Love” (1947) – NON-PD | passing diminished 7th (descending), ii-V-I progression, “screendoor” progression – deceptive resolution in ii-V-I progression |
| Jazz, Pop, and Film Music | Sampson, Edgar | American, Male | “Stompin’ at the Savoy” (1936) – NON-PD | passing diminished 7th, Tritone sub |
| Jazz, Pop, and Film Music | Warren, Harry and Gordon, Mack | American, male | “There Will Never Be Another You” (1942) – NON-PD | ii-V-I, mixture, passing diminished 7th, 3rd relationship |