12-Bar Blues
The following pieces on this website are 12-bar blues.
Pieces that are not in public domain are marked NON-PD and may not have a score.
| PERIOD/PAGE | COMPOSER | COMPOSER CATEGORY | COMPOSITION | ANALYTIC TOPICS |
|---|---|---|---|---|
| Jazz, Pop, and Film Music | Berryhill, Bob; Connolly, Pat; Fuller, Jim; and Wilson, Ron | American | “Wipe Out” (1963) – NON-PD | 12-bar blues |
| Jazz, Pop, and Film Music | Brubeck, Dave | American | “Unsquare Dance” (1961) – NON-PD | asymmetrical meters (7/4), blues structure, use of 10ths |
| Jazz, Pop, and Film Music | Collins, Albert and Richard Penniman (Little Richard) | American, Black | “Lucille” (1957) – NON-PD | 12-bar blues |
| Jazz, Pop, and Film Music | Hawkins, Roy and Rick Darnell | American, Black | “The Thrill is Gone” (1951) – NON-PD | 12-bar blues |
| Jazz, Pop, and Film Music | Leiber, Jerry and Mike Stoller | American | “Hound Dog” (1952) – NON-PD | 12-bar blues |
| Jazz, Pop, and Film Music | Penniman, Richard (Little Richard) and Dorothy La Bostrie | American, Black | “Tutti Frutti” (1955) – NON-PD | 12-bar blues |
| 20th century | Still, William Grant | Black | Afro-American Symphony (1930) – NON-PD | Arch Form, 12-bar blues |