Augmented 6th chords

The following pieces on this website contain augmented 6th chords (German, French, or Italian 6th chords).

Pieces that are not in the Public Domain are marked NON-PD and may not have a score.

Jazz, Pop, and Film MusicPorter, ColeAmerican, Male“Night and Day” (1932) – NON-PD32-bar song form, Mixture, Aug 6, Descending bass line
RomanticSchubert, FranzAustrian, MaleSymphony No. 5, D. 485, Mvt. 1Sonata form, Secondary Dominants, Aug 6, Mixture
20th centuryJoplin, ScottAfrican AmericanThe Sycamore: A Concert Ragragtime, cto7, Aug 6, Mixture
RomanticLe Beau, Luise AdolphaFemalePiano Quartet, Op. 28, Mvt. 1: Adagio, Allegro con fuocoRondo, Aug 6, Neapolitan, Enharmonic modulation
RomanticSchubert, FranzAustrian, MaleMoments Musicaux in Ab Major, Op. 94 No. 6 D780Ternary – compound, rounded binary, Aug 6, cto7, Neapolitan, enharmonic respelling
RomanticChopin, FredericPolishPrelude No. 20 in C minor, Op. 28Binary, secondary dominants, Aug 6, Neapolitan
RomanticSchubert, FranzAustrian, MaleSchwanengesang, D. 957, No 13: “Der Doppelganger” (1828)Aug 6, secondary dominants, Neapolitan
ClassicalBeethoven, Ludwig VanmalePiano Sonata No. 21 in C Major (Waldstein), Op. 53, I: Allegro con brioSonata form, circle of 5ths progression, third relationship (key), Aug 6, Neapolitan,cto7
ClassicalBeethoven, Ludwig VanmalePiano Sonata No. 9 in E Major, Op. 14 No. 1, I: AllegroSonata form, Neapolitan, Aug 6
RomanticFarrenc, LouiseFemaleTrio for Piano, Flute, and Cello, Op. 45, Mvt. 1Sonata form, Aug 6, Neapoiltan
RomanticBrahms, Johannes “Wie Melodien zieht es mir.” No 1 of 5 Lieder, Op 105Strophic form, Neapolitan, Aug 6
RomanticChopin, FredericPolishMazurka in A minor, Op. 7, No. 2Compound ternary, Rounded binary, Neapolitan, Aug 6
RomanticBeach, AmyFemale3 Browning Songs, Op. 44 No. 2: “Ah, Love, but a day”Neapolitan, augmented 6
20th CenturyBonis, Mel(anie)Female, FrenchSonata pour piano and violincello, Op. 67, Mvt 1Aug 6, Neapolitan
RomanticHensel, FannyFemaleSix Lieder, Op. 9 No. 6: Die MainachtAug 6, Neapolitan
RomanticHensel, FannyFemaleSix Lieder, Op. 7 No. 1: NachtwandererModulation, secondary dominants, Aug 6
ClassicalBeethoven, Ludwig VanmalePiano Sonata No. 8 in C minor (Pathetique), Op. 13, III: RondoRondo (sonata), Aug 6, secondary dominants
ClassicalMozart, Wolfgang A.AustriaPiano Sonata No. 13 in Bb Major, K. 333, I: AllegroSonata rondo, secondary dominants, Aug 6 (Gr6)
ClassicalBeethoven, Ludwig VanmalePiano Sonata No. 1 in F minor, Op. 2 No. 1, I: AllegroSonata form, Aug 6, secondary dominants
RomanticLe Beau, Luise AdolphaFemaleRomanze fur Violine, Op. 35Ternary form, Aug 6, cto7, secondary dominanats
RomanticSchumann, ClaraFemaleDrei Romanzen fur Violine und Kalvier, Op. 22, No. 1Ternary form, Aug 6, secondary dominants
ClassicalSzymanwska, Maria A.FemaleMarch 1 from Six MarchesTernary, compound ternary, Aug 6, Secondary Dominants
Jazz, Pop, and Film MusicBlake, Eubie and Sissle, NobleBlack“Gypsy Blues” (1921)Augmented 6 chords, Secondary Dominants (circle of fifths progression)
20th CenturyEvans, GeorgeWelsh“In the Good Old Summertime”secondary dominants, cto7, Aug 6
Jazz, Pop, and Film MusicJones, Isham and Symes, MartyAmerican“There Is No Greater Love” (1936) – NON-PDTritone sub, secondary dominants, ii-V-I progression, Aug 6
RomanticSchubert, FranzAustrian, Male“Die Liebe,” D. 210Secondary dominants, Aug 6
RomanticSchumann, RobertGermanMyrthen Op. 25, No. 24: Du bist eine Blume (1840)Aug 6, secondary dominants
Jazz, Pop, and Film MusicYoung, Victor and Heyman, EdwardAmerican“When I Fall In Love” (1952) – NON-PDAltered dominants, Aug 6, Tritone sub, secondary dominants
RomanticTegner, AliceFemaleSonata in A minor for Violin and Piano, Mvt. III: Andanteternary, Aug 6, Linear analysis
RomanticSchubert, FranzAustrian, Male36 Originaltanze, D. 365, op. 9 no 2: Waltz in Ab Major (1816)Binary form, Aug 6
RomanticWolf, HugoAustrian, Male“In der fruhe” from Morike-liederBinary form, cto7, Aug 6
20th centuryGrymn, James Timblack, AmericanThe Tar Heel Bluescompound binary, Aug 6, cto7, circle of 5ths progression, ragtime, fox trot
Jazz, Pop, and Film MusicMack, Cecil and Johnson, James P (Jimmy)Black, American“Charleston” (1923)Fox trot, Aug 6, cto7, circle of 5ths progression – ragtime progression (I-III7-VI7-II7-V7-I)
ClassicalMozart, Wolfgang A.AustriaPiano Sonata No. 13 in Bb major, K. 333, III: Allegretto graziosoRondo form (large), Aug 6
RomanticBrahms, Johannes Waltz, Op. 39, No. 2Rounded binary, Aug 6
RomanticAndree, ElfridaSwedish, femalePiano Trio No. 2 in G minor, Mvt. ISonata form, Aug 6
ClassicalBeethoven, Ludwig VanmalePiano Sonata No. 32, Op. 111, I: MaestosoSonata Form, third relationship (key), Aug 6
RomanticColeridge Taylor, SamuelAfrican AmericanSonata in D Minor for Violin and PIano, Op. 28, Mvt. 1Sonata form, Aug 6, cto7
20th centuryPrice, FlorenceFemale, American, BlackSonata in E Minor, Mvt. 1 (1932) – NON-PDSonata form, Aug 6, Pentatonic
20th centurySmyth, EthelFemaleViolin Sonata in A Minor, Op.n 7, Mvt. 1Sonata form, Aug 6
RomanticColeridge Taylor, SanuelAfrican American24 Negro Melodies, Op. 59. No 8: The BamboulaTernary, Aug 6
ImpressionismColeridge-Taylor, SamuelBlackForest Scenes, Op. 66, No. 1: “The Lone Forest Maiden”Extended tertian, Aug 6, Ternary
RomanticHensel, Fannyfemale“Juli” from Das Jahr, H. 385 (1841) – NON-PDTernary form, Aug 6
RomanticLang, JospehineFemaleArabesque, from 3 KalvierstuckeTernary, Aug 6
RomanticSchumann, ClaraFemaleDrei Romanzen (for piano), Op. 21, No. 1Ternary form, Aug 6
RomanticWolf, HugoAustrian, Male“Das Verlassene Magdlein” from Morike LiederTernary, augmented triads, Aug 6, chromatic mediants
RomanticBrahms, JohannesGermaSix Pieces for Piano (Klavierstuke), Op. 118 No. 2: Intermezzo in A Major (1893)Ternary form (compound), Aug 6
RomanticFranck, CesarFrenchSonata in A Major for Violin and piano, Mvt. 1: Allegretto ben moderatoAug 6, extended tertian chords
RomanticLe Beau, Luise AdolphafemalePiano Quartet, Op. 28, Mvt. II: Adagiocto7, Aug 6
20th centurySibelius, JeanFinlandFinlandiaAugmented 6