Augmented 6th chords
The following pieces on this website contain augmented 6th chords (German, French, or Italian 6th chords).
Pieces that are not in the Public Domain are marked NON-PD and may not have a score.
| PERIOD/PAGE | COMPOSER | COMPOSER CATEGORY | COMPOSITION | ANALYTIC TOPICS |
|---|---|---|---|---|
| Jazz, Pop, and Film Music | Porter, Cole | American, Male | “Night and Day” (1932) – NON-PD | 32-bar song form, Mixture, Aug 6, Descending bass line |
| Romantic | Schubert, Franz | Austrian, Male | Symphony No. 5, D. 485, Mvt. 1 | Sonata form, Secondary Dominants, Aug 6, Mixture |
| 20th century | Joplin, Scott | African American | The Sycamore: A Concert Rag | ragtime, cto7, Aug 6, Mixture |
| Romantic | Le Beau, Luise Adolpha | Female | Piano Quartet, Op. 28, Mvt. 1: Adagio, Allegro con fuoco | Rondo, Aug 6, Neapolitan, Enharmonic modulation |
| Romantic | Schubert, Franz | Austrian, Male | Moments Musicaux in Ab Major, Op. 94 No. 6 D780 | Ternary – compound, rounded binary, Aug 6, cto7, Neapolitan, enharmonic respelling |
| Romantic | Chopin, Frederic | Polish | Prelude No. 20 in C minor, Op. 28 | Binary, secondary dominants, Aug 6, Neapolitan |
| Romantic | Schubert, Franz | Austrian, Male | Schwanengesang, D. 957, No 13: “Der Doppelganger” (1828) | Aug 6, secondary dominants, Neapolitan |
| Classical | Beethoven, Ludwig Van | male | Piano Sonata No. 21 in C Major (Waldstein), Op. 53, I: Allegro con brio | Sonata form, circle of 5ths progression, third relationship (key), Aug 6, Neapolitan,cto7 |
| Classical | Beethoven, Ludwig Van | male | Piano Sonata No. 9 in E Major, Op. 14 No. 1, I: Allegro | Sonata form, Neapolitan, Aug 6 |
| Romantic | Farrenc, Louise | Female | Trio for Piano, Flute, and Cello, Op. 45, Mvt. 1 | Sonata form, Aug 6, Neapoiltan |
| Romantic | Brahms, Johannes | “Wie Melodien zieht es mir.” No 1 of 5 Lieder, Op 105 | Strophic form, Neapolitan, Aug 6 | |
| Romantic | Chopin, Frederic | Polish | Mazurka in A minor, Op. 7, No. 2 | Compound ternary, Rounded binary, Neapolitan, Aug 6 |
| Romantic | Beach, Amy | Female | 3 Browning Songs, Op. 44 No. 2: “Ah, Love, but a day” | Neapolitan, augmented 6 |
| 20th Century | Bonis, Mel(anie) | Female, French | Sonata pour piano and violincello, Op. 67, Mvt 1 | Aug 6, Neapolitan |
| Romantic | Hensel, Fanny | Female | Six Lieder, Op. 9 No. 6: Die Mainacht | Aug 6, Neapolitan |
| Romantic | Hensel, Fanny | Female | Six Lieder, Op. 7 No. 1: Nachtwanderer | Modulation, secondary dominants, Aug 6 |
| Classical | Beethoven, Ludwig Van | male | Piano Sonata No. 8 in C minor (Pathetique), Op. 13, III: Rondo | Rondo (sonata), Aug 6, secondary dominants |
| Classical | Mozart, Wolfgang A. | Austria | Piano Sonata No. 13 in Bb Major, K. 333, I: Allegro | Sonata rondo, secondary dominants, Aug 6 (Gr6) |
| Classical | Beethoven, Ludwig Van | male | Piano Sonata No. 1 in F minor, Op. 2 No. 1, I: Allegro | Sonata form, Aug 6, secondary dominants |
| Romantic | Le Beau, Luise Adolpha | Female | Romanze fur Violine, Op. 35 | Ternary form, Aug 6, cto7, secondary dominanats |
| Romantic | Schumann, Clara | Female | Drei Romanzen fur Violine und Kalvier, Op. 22, No. 1 | Ternary form, Aug 6, secondary dominants |
| Classical | Szymanwska, Maria A. | Female | March 1 from Six Marches | Ternary, compound ternary, Aug 6, Secondary Dominants |
| Jazz, Pop, and Film Music | Blake, Eubie and Sissle, Noble | Black | “Gypsy Blues” (1921) | Augmented 6 chords, Secondary Dominants (circle of fifths progression) |
| 20th Century | Evans, George | Welsh | “In the Good Old Summertime” | secondary dominants, cto7, Aug 6 |
| Jazz, Pop, and Film Music | Jones, Isham and Symes, Marty | American | “There Is No Greater Love” (1936) – NON-PD | Tritone sub, secondary dominants, ii-V-I progression, Aug 6 |
| Romantic | Schubert, Franz | Austrian, Male | “Die Liebe,” D. 210 | Secondary dominants, Aug 6 |
| Romantic | Schumann, Robert | German | Myrthen Op. 25, No. 24: Du bist eine Blume (1840) | Aug 6, secondary dominants |
| Jazz, Pop, and Film Music | Young, Victor and Heyman, Edward | American | “When I Fall In Love” (1952) – NON-PD | Altered dominants, Aug 6, Tritone sub, secondary dominants |
| Romantic | Tegner, Alice | Female | Sonata in A minor for Violin and Piano, Mvt. III: Andante | ternary, Aug 6, Linear analysis |
| Romantic | Schubert, Franz | Austrian, Male | 36 Originaltanze, D. 365, op. 9 no 2: Waltz in Ab Major (1816) | Binary form, Aug 6 |
| Romantic | Wolf, Hugo | Austrian, Male | “In der fruhe” from Morike-lieder | Binary form, cto7, Aug 6 |
| 20th century | Grymn, James Tim | black, American | The Tar Heel Blues | compound binary, Aug 6, cto7, circle of 5ths progression, ragtime, fox trot |
| Jazz, Pop, and Film Music | Mack, Cecil and Johnson, James P (Jimmy) | Black, American | “Charleston” (1923) | Fox trot, Aug 6, cto7, circle of 5ths progression – ragtime progression (I-III7-VI7-II7-V7-I) |
| Classical | Mozart, Wolfgang A. | Austria | Piano Sonata No. 13 in Bb major, K. 333, III: Allegretto grazioso | Rondo form (large), Aug 6 |
| Romantic | Brahms, Johannes | Waltz, Op. 39, No. 2 | Rounded binary, Aug 6 | |
| Romantic | Andree, Elfrida | Swedish, female | Piano Trio No. 2 in G minor, Mvt. I | Sonata form, Aug 6 |
| Classical | Beethoven, Ludwig Van | male | Piano Sonata No. 32, Op. 111, I: Maestoso | Sonata Form, third relationship (key), Aug 6 |
| Romantic | Coleridge Taylor, Samuel | African American | Sonata in D Minor for Violin and PIano, Op. 28, Mvt. 1 | Sonata form, Aug 6, cto7 |
| 20th century | Price, Florence | Female, American, Black | Sonata in E Minor, Mvt. 1 (1932) – NON-PD | Sonata form, Aug 6, Pentatonic |
| 20th century | Smyth, Ethel | Female | Violin Sonata in A Minor, Op.n 7, Mvt. 1 | Sonata form, Aug 6 |
| Romantic | Coleridge Taylor, Sanuel | African American | 24 Negro Melodies, Op. 59. No 8: The Bamboula | Ternary, Aug 6 |
| Impressionism | Coleridge-Taylor, Samuel | Black | Forest Scenes, Op. 66, No. 1: “The Lone Forest Maiden” | Extended tertian, Aug 6, Ternary |
| Romantic | Hensel, Fanny | female | “Juli” from Das Jahr, H. 385 (1841) – NON-PD | Ternary form, Aug 6 |
| Romantic | Lang, Jospehine | Female | Arabesque, from 3 Kalvierstucke | Ternary, Aug 6 |
| Romantic | Schumann, Clara | Female | Drei Romanzen (for piano), Op. 21, No. 1 | Ternary form, Aug 6 |
| Romantic | Wolf, Hugo | Austrian, Male | “Das Verlassene Magdlein” from Morike Lieder | Ternary, augmented triads, Aug 6, chromatic mediants |
| Romantic | Brahms, Johannes | Germa | Six Pieces for Piano (Klavierstuke), Op. 118 No. 2: Intermezzo in A Major (1893) | Ternary form (compound), Aug 6 |
| Romantic | Franck, Cesar | French | Sonata in A Major for Violin and piano, Mvt. 1: Allegretto ben moderato | Aug 6, extended tertian chords |
| Romantic | Le Beau, Luise Adolpha | female | Piano Quartet, Op. 28, Mvt. II: Adagio | cto7, Aug 6 |
| 20th century | Sibelius, Jean | Finland | Finlandia | Augmented 6 |