Ternary Form

The following pieces on this website are in Ternary form.

Pieces that are not in public domain are marked NON-PD and may not have a score.


PERIOD/PAGECOMPOSERCOMPOSER CATEGORYCOMPOSITIONANALYTIC TOPICS
RomanticAndree, ElfridaSwedish, femalePiano Trio No. 2 in G minor, Mvt. IITernary form, cto7
20th centuryAuerbach, LeraFemale, Soviet born, AmericanLonely Suite: Ballet for a Lonely Violinist (2002-NON-PD)Ternary form, binary form, timbre related, quartal harmony
20th CenturyAuerbach, LeraFemaleThe Prayer for solo alto saxophone (1996, 2009)Ternary form
20th CenturyBartok, BelaHungarian, Male44 Duos for Two Violins, No. 33 Harvest Song (1931) – NON-PDternary form, octatonic
RomanticBeach, AmyFemaleCradle Song of the Lonely Mother, Op. 108Ternary
RomanticBeach, AmyFemaleRomance for Violin and Piano, Op. 23, Mvt. 3Ternary form
RomanticBeach, AmyFemaleRomance for Violin and Piano, Op. 23, Mvt. ITernary form, Tritone sub
RomanticBeach, AmyFemaleRomance for Violin and Piano, Op. 23., Mvt. 4Ternary form
RomanticBeach, AmyFemaleRomance for Violin and Piano, Op. 23.Mvt. 2Ternary form, linear analysis
ClassicalBeethoven, Ludwig VanmalePiano Sonata No. 9 in E major, op 14. No. 1, Mvt. 2: AllegrettoCompound ternary, Rounded binary
20th centuryBernstein, LeonardAmericanElegy for Mippy II (for trombone alone) (1940s) -NON-PDTernary form
20th CenturyBloch, ErnestAmericanPoems of the Sea, B. 46, Mvt 1ternary form/arch form, modes
20th centuryBloch, ErnestAmericanPoems of the Sea, B. 46, Mvt 2ternary form, modes
ClassicalBologne, Joseph (Chevalier de Saint-George)BlackSonata for Flute and Harp in Eb Major, Mvt. ITernary form
ClassicalBologne, Joseph (Chevalier de Saint-George)BlackSonata for Flute and Harp in Eb Major, Mvt. IICompound Ternary
ClassicalBologne, Joseph (Chevalier de Saint-George)BlackSonata for Flute and Harp in Eb Major, Mvt. IIITernary form
BaroqueBon, AnnaFemaleSix Flute Sonatas, Sonata IV, Mvt. 2ternary form
ImpressionismBoulanger, LiliFemaleLes Sirenes (1918)Ternary form, whole tone scale, pentatonic scale
ImpressionismBoulanger, LiliFemaleNo. 2, D’un Jardin Clair, from Trois Morceaux Pour Piano (1914) – NON-PDTernary form
RomanticBrahms, JohannesIntermezzo in A Major, Op. 76 no. 6Ternary
RomanticBrahms, JohannesGermaSix Pieces for Piano (Klavierstuke), Op. 118 No. 2: Intermezzo in A Major (1893)Ternary form (compound), Aug 6
RomanticChaminade, CecileFemale, FrenchArabesque No. 1, Op. 61 (1892)Compound ternary form
RomanticChaminade, CecileFemaleLa Morena, Caprice Espagnol, Op. 67Ternary
RomanticChopin, FredericPolishMazurka in A minor, Op. 7, No. 2Compound ternary, Rounded binary, Neapolitan, Aug 6
RomanticColeridge Taylor, SanuelAfrican American24 Negro Melodies, Op. 59. No 8: The BamboulaTernary, Aug 6
ImpressionismColeridge-Taylor, SamuelBlackForest Scenes, Op. 66, No. 1: “The Lone Forest Maiden”Extended tertian, Aug 6, Ternary
ImpressionismDebussy, ClaudeFrenchPour le piano: SarabandTernary
RomanticDede, Edmundblack, CreoleEl Pronunciamento (March)compound ternary
Jazz, Pop, and Film MusicDesmond, PaulAmerican“Take 5” (1959) – NON-PDasymmetrical meters (5/4), ternary form
ImpressionismFaure, GabrielLes roses d’isaphanTernary
Jazz, Pop, and Film MusicHancock, HerbieAfircan-American, Black“Tell Me a Bedtime Story” (1969) – NON-PDJazz, octatonic, ternary form, pentatonic, third relationships
RomanticHensel, Fannyfemale“Juli” from Das Jahr, H. 385 (1841) – NON-PDTernary form, Aug 6
RomanticHensel, FannyFemaleVier Lieder fur Das Pianoforte, Op. 2 No 1: AndanteTernary form, linear analysis
RomanticHolland, JustinAfrican AmericanAndante and Variation in C Major (for guitar)Compound Ternary
ClassicalJohnson, FrancisAfrican AmericanVictoria GallopTernary
20th centuryKafui, KennethGhanian“Mele Ekpom (I Do See It),” No. 4 from Six Easy African Piano Pieces (Tonal) (1986) – NON-PDTernary form, counterpoint
RomanticLang, JosephineFemaleMorgenlied eines armen MannesTernary
RomanticLang, JospehineFemaleArabesque, from 3 KalvierstuckeTernary, Aug 6
RomanticLe Beau, Luise AdolphafemalePiano Quartet, Op. 28, Mvt. III: Tempo di MazurkaCompound ternary, modulation
RomanticLe Beau, Luise AdolphaFemaleRomanze fur Violine, Op. 35Ternary form, Aug 6, cto7, secondary dominanats
RomanticMacDowell, EdwardAmerican12 Etudes, Op. 39, No. 4: ArabeskeTernary
RomanticMendelssohn, FelixGermanSong without Words, Op. 19b, No. 1Ternary
20th centuryMilhaud, DariusFrenchSaudades do Brazil: “Botafogo”Ternary
ClassicalMozart, Wolfgang A.AustriaRidente la calma, KV 152Ternary
ClassicalParadis, Maria-Theresia vonFemaleMorgenlied eines armen MannesTernary form
20th centuryPersichetti, VincentAmericanPiano sonatina no 4, IIITernary
20th centuryPrice, FlorenceFemaleAdoration (for Organ)Ternary
20th CenturyRaum, ElizabethFemale, CanadianSweet Dances for Unaccompanied Tuba, Mvt, 1: Blew TangoTernary form, Tritone sub
20th CenturyRaum, ElizabethFemale, CanadianSweet Dances for Unaccompanied Tuba, Mvt, 2: Dot PolkaTernary form, linear analysis
20th CenturyRaum, ElizabethFemale, CanadianSweet Dances for Unaccompanied Tuba, Mvt. 3: Waltzin’ MatubaTernary form
20th CenturyRaum, ElizabethFemale, CanadianSweet Dances for Unaccompanied Tuba, Mvt. 4:. A Hard Knight’s DayTernary form
ImpressionismRavel, MauriceFrenchLe Tombeau de Couperin, MenuetTernary (Compound)
ImpressionismRavel, MauriceFrenchLe Tombeau de Couperin, RigaudonTernary
RomanticSchubert, FranzAustrian, MaleDie schone Mullerin D. 795, No. 11 “Mein”Ternary
RomanticSchubert, FranzAustrian, MaleMoments Musicaux in Ab Major, Op. 94 No. 6 D780Ternary – compound, rounded binary, Aug 6, cto7, Neapolitan, enharmonic respelling
RomanticSchumann, ClaraFemaleDrei Romanzen (for piano), Op. 21, No. 1Ternary form, Aug 6
RomanticSchumann, ClaraFemaleDrei Romanzen fur Violine und Kalvier, Op. 22, No. 1Ternary form, Aug 6, secondary dominants
RomanticSchumann, ClaraFemaleDrei Romanzen fur Violine und Klavier, Op. 22, Mvt. 2Ternary
RomanticSchumann, ClaraFemaleTrois Romances, Op. 11, No. 1Ternary form
RomanticSchumann, RobertGerman“Vogel als prophet” from Waldszenen, Op. 82Ternary
RomanticSchumann, RobertGerman“Widmung” No. 1 of Myrthen Op. 25Ternary form
RomanticSchumann, RobertGermanAlbum for the Young, Op. 68, No. 11, “Sicilianisch”Compound Ternary
RomanticSchumann, RobertGermanAlbum for the Young, Op. 68, No. 3, “Trallerliedchen” (Humming Song)Ternary
RomanticSchumann, RobertGermanAlbum for the Young, Op. 68, No. 31, “Kriegslied”Ternary form
RomanticSchumann, RobertGermanAlbum for the Young, Op. 68, No. 8, “Wilder Reiter” (Wild Rider)Ternary
RomanticSchumann, RobertGermanAlbum for the Young, Op. 68, No.9, “Volksliedchen” (Folk Song)Ternary
RomanticSchumann, RobertGermanDrei Klavier, Sonata for the Young, Kinder-Sonaten, op. 118Ternary
RomanticSchumann, RobertGermanPapillons, op. 2 no. 5Ternary
20th centurySmyth, EthelFemale3 Moods of the Sea, 1. RequiesTernary form, Whole tone scale
20th centuryStill, William GrantBlackThree Visions: A Suite for Piano (1935), No. 2: Summerland  – NON-PDTernary form
Strouse, Charles“Once upon a time” from All AmericanTernary
ClassicalSzymanwska, Maria A.FemaleMarch 1 from Six MarchesTernary, compound ternary, Aug 6, Secondary Dominants
RomanticTegner, AliceFemaleSonata in A minor for Violin and Piano, Mvt. III: Andanteternary, Aug 6, Linear analysis
RomanticTegner, AliceFemaleViolin Sonata in A Minor, Mvt. II: MinuettoTernary (compound)
20th centuryWebern, AntonAustrian, MaleFunf Satze for Streichquartett, Op. 5 No. 3Ternary
RomanticWolf, HugoAustrian, Male“Das Verlassene Magdlein” from Morike LiederTernary, augmented triads, Aug 6, chromatic mediants