Ternary Form
The following pieces on this website are in Ternary form.
Pieces that are not in public domain are marked NON-PD and may not have a score.
PERIOD/PAGE | COMPOSER | COMPOSER CATEGORY | COMPOSITION | ANALYTIC TOPICS |
---|---|---|---|---|
Romantic | Andree, Elfrida | Swedish, female | Piano Trio No. 2 in G minor, Mvt. II | Ternary form, cto7 |
20th century | Auerbach, Lera | Female, Soviet born, American | Lonely Suite: Ballet for a Lonely Violinist (2002-NON-PD) | Ternary form, binary form, timbre related, quartal harmony |
20th Century | Auerbach, Lera | Female | The Prayer for solo alto saxophone (1996, 2009) | Ternary form |
20th Century | Bartok, Bela | Hungarian, Male | 44 Duos for Two Violins, No. 33 Harvest Song (1931) – NON-PD | ternary form, octatonic |
Romantic | Beach, Amy | Female | Cradle Song of the Lonely Mother, Op. 108 | Ternary |
Romantic | Beach, Amy | Female | Romance for Violin and Piano, Op. 23, Mvt. 3 | Ternary form |
Romantic | Beach, Amy | Female | Romance for Violin and Piano, Op. 23, Mvt. I | Ternary form, Tritone sub |
Romantic | Beach, Amy | Female | Romance for Violin and Piano, Op. 23., Mvt. 4 | Ternary form |
Romantic | Beach, Amy | Female | Romance for Violin and Piano, Op. 23.Mvt. 2 | Ternary form, linear analysis |
Classical | Beethoven, Ludwig Van | male | Piano Sonata No. 9 in E major, op 14. No. 1, Mvt. 2: Allegretto | Compound ternary, Rounded binary |
20th century | Bernstein, Leonard | American | Elegy for Mippy II (for trombone alone) (1940s) -NON-PD | Ternary form |
20th Century | Bloch, Ernest | American | Poems of the Sea, B. 46, Mvt 1 | ternary form/arch form, modes |
20th century | Bloch, Ernest | American | Poems of the Sea, B. 46, Mvt 2 | ternary form, modes |
Classical | Bologne, Joseph (Chevalier de Saint-George) | Black | Sonata for Flute and Harp in Eb Major, Mvt. I | Ternary form |
Classical | Bologne, Joseph (Chevalier de Saint-George) | Black | Sonata for Flute and Harp in Eb Major, Mvt. II | Compound Ternary |
Classical | Bologne, Joseph (Chevalier de Saint-George) | Black | Sonata for Flute and Harp in Eb Major, Mvt. III | Ternary form |
Baroque | Bon, Anna | Female | Six Flute Sonatas, Sonata IV, Mvt. 2 | ternary form |
Impressionism | Boulanger, Lili | Female | Les Sirenes (1918) | Ternary form, whole tone scale, pentatonic scale |
Impressionism | Boulanger, Lili | Female | No. 2, D’un Jardin Clair, from Trois Morceaux Pour Piano (1914) – NON-PD | Ternary form |
Romantic | Brahms, Johannes | Intermezzo in A Major, Op. 76 no. 6 | Ternary | |
Romantic | Brahms, Johannes | Germa | Six Pieces for Piano (Klavierstuke), Op. 118 No. 2: Intermezzo in A Major (1893) | Ternary form (compound), Aug 6 |
Romantic | Chaminade, Cecile | Female, French | Arabesque No. 1, Op. 61 (1892) | Compound ternary form |
Romantic | Chaminade, Cecile | Female | La Morena, Caprice Espagnol, Op. 67 | Ternary |
Romantic | Chopin, Frederic | Polish | Mazurka in A minor, Op. 7, No. 2 | Compound ternary, Rounded binary, Neapolitan, Aug 6 |
Romantic | Coleridge Taylor, Sanuel | African American | 24 Negro Melodies, Op. 59. No 8: The Bamboula | Ternary, Aug 6 |
Impressionism | Coleridge-Taylor, Samuel | Black | Forest Scenes, Op. 66, No. 1: “The Lone Forest Maiden” | Extended tertian, Aug 6, Ternary |
Impressionism | Debussy, Claude | French | Pour le piano: Saraband | Ternary |
Romantic | Dede, Edmund | black, Creole | El Pronunciamento (March) | compound ternary |
Jazz, Pop, and Film Music | Desmond, Paul | American | “Take 5” (1959) – NON-PD | asymmetrical meters (5/4), ternary form |
Impressionism | Faure, Gabriel | Les roses d’isaphan | Ternary | |
Jazz, Pop, and Film Music | Hancock, Herbie | Afircan-American, Black | “Tell Me a Bedtime Story” (1969) – NON-PD | Jazz, octatonic, ternary form, pentatonic, third relationships |
Romantic | Hensel, Fanny | female | “Juli” from Das Jahr, H. 385 (1841) – NON-PD | Ternary form, Aug 6 |
Romantic | Hensel, Fanny | Female | Vier Lieder fur Das Pianoforte, Op. 2 No 1: Andante | Ternary form, linear analysis |
Romantic | Holland, Justin | African American | Andante and Variation in C Major (for guitar) | Compound Ternary |
Classical | Johnson, Francis | African American | Victoria Gallop | Ternary |
20th century | Kafui, Kenneth | Ghanian | “Mele Ekpom (I Do See It),” No. 4 from Six Easy African Piano Pieces (Tonal) (1986) – NON-PD | Ternary form, counterpoint |
Romantic | Lang, Josephine | Female | Morgenlied eines armen Mannes | Ternary |
Romantic | Lang, Jospehine | Female | Arabesque, from 3 Kalvierstucke | Ternary, Aug 6 |
Romantic | Le Beau, Luise Adolpha | female | Piano Quartet, Op. 28, Mvt. III: Tempo di Mazurka | Compound ternary, modulation |
Romantic | Le Beau, Luise Adolpha | Female | Romanze fur Violine, Op. 35 | Ternary form, Aug 6, cto7, secondary dominanats |
Romantic | MacDowell, Edward | American | 12 Etudes, Op. 39, No. 4: Arabeske | Ternary |
Romantic | Mendelssohn, Felix | German | Song without Words, Op. 19b, No. 1 | Ternary |
20th century | Milhaud, Darius | French | Saudades do Brazil: “Botafogo” | Ternary |
Classical | Mozart, Wolfgang A. | Austria | Ridente la calma, KV 152 | Ternary |
Classical | Paradis, Maria-Theresia von | Female | Morgenlied eines armen Mannes | Ternary form |
20th century | Persichetti, Vincent | American | Piano sonatina no 4, III | Ternary |
20th century | Price, Florence | Female | Adoration (for Organ) | Ternary |
20th Century | Raum, Elizabeth | Female, Canadian | Sweet Dances for Unaccompanied Tuba, Mvt, 1: Blew Tango | Ternary form, Tritone sub |
20th Century | Raum, Elizabeth | Female, Canadian | Sweet Dances for Unaccompanied Tuba, Mvt, 2: Dot Polka | Ternary form, linear analysis |
20th Century | Raum, Elizabeth | Female, Canadian | Sweet Dances for Unaccompanied Tuba, Mvt. 3: Waltzin’ Matuba | Ternary form |
20th Century | Raum, Elizabeth | Female, Canadian | Sweet Dances for Unaccompanied Tuba, Mvt. 4:. A Hard Knight’s Day | Ternary form |
Impressionism | Ravel, Maurice | French | Le Tombeau de Couperin, Menuet | Ternary (Compound) |
Impressionism | Ravel, Maurice | French | Le Tombeau de Couperin, Rigaudon | Ternary |
Romantic | Schubert, Franz | Austrian, Male | Die schone Mullerin D. 795, No. 11 “Mein” | Ternary |
Romantic | Schubert, Franz | Austrian, Male | Moments Musicaux in Ab Major, Op. 94 No. 6 D780 | Ternary – compound, rounded binary, Aug 6, cto7, Neapolitan, enharmonic respelling |
Romantic | Schumann, Clara | Female | Drei Romanzen (for piano), Op. 21, No. 1 | Ternary form, Aug 6 |
Romantic | Schumann, Clara | Female | Drei Romanzen fur Violine und Kalvier, Op. 22, No. 1 | Ternary form, Aug 6, secondary dominants |
Romantic | Schumann, Clara | Female | Drei Romanzen fur Violine und Klavier, Op. 22, Mvt. 2 | Ternary |
Romantic | Schumann, Clara | Female | Trois Romances, Op. 11, No. 1 | Ternary form |
Romantic | Schumann, Robert | German | “Vogel als prophet” from Waldszenen, Op. 82 | Ternary |
Romantic | Schumann, Robert | German | “Widmung” No. 1 of Myrthen Op. 25 | Ternary form |
Romantic | Schumann, Robert | German | Album for the Young, Op. 68, No. 11, “Sicilianisch” | Compound Ternary |
Romantic | Schumann, Robert | German | Album for the Young, Op. 68, No. 3, “Trallerliedchen” (Humming Song) | Ternary |
Romantic | Schumann, Robert | German | Album for the Young, Op. 68, No. 31, “Kriegslied” | Ternary form |
Romantic | Schumann, Robert | German | Album for the Young, Op. 68, No. 8, “Wilder Reiter” (Wild Rider) | Ternary |
Romantic | Schumann, Robert | German | Album for the Young, Op. 68, No.9, “Volksliedchen” (Folk Song) | Ternary |
Romantic | Schumann, Robert | German | Drei Klavier, Sonata for the Young, Kinder-Sonaten, op. 118 | Ternary |
Romantic | Schumann, Robert | German | Papillons, op. 2 no. 5 | Ternary |
20th century | Smyth, Ethel | Female | 3 Moods of the Sea, 1. Requies | Ternary form, Whole tone scale |
20th century | Still, William Grant | Black | Three Visions: A Suite for Piano (1935), No. 2: Summerland – NON-PD | Ternary form |
Strouse, Charles | “Once upon a time” from All American | Ternary | ||
Classical | Szymanwska, Maria A. | Female | March 1 from Six Marches | Ternary, compound ternary, Aug 6, Secondary Dominants |
Romantic | Tegner, Alice | Female | Sonata in A minor for Violin and Piano, Mvt. III: Andante | ternary, Aug 6, Linear analysis |
Romantic | Tegner, Alice | Female | Violin Sonata in A Minor, Mvt. II: Minuetto | Ternary (compound) |
20th century | Webern, Anton | Austrian, Male | Funf Satze for Streichquartett, Op. 5 No. 3 | Ternary |
Romantic | Wolf, Hugo | Austrian, Male | “Das Verlassene Magdlein” from Morike Lieder | Ternary, augmented triads, Aug 6, chromatic mediants |